Art as an expression of History

Roberto Marinho’s private collection, including paintings, prints and sculptures began with a bet on artists of his generation. Many of them were still unknown at that time, such as José Pancetti, Alberto da Veiga Guignard and Candido Portinari.

There are also works by Di Cavalcanti, Ismael Nery, Lasar Segall, Milton Dacosta, Tarsila do Amaral, Burle Marx, Djanira, Iberê Camargo, Antonio Bandeira, Alfredo Volpi, Tomie Ohtake, Manabu Mabe, Maria Martins, Bruno Giorgi, and Ariano Suassuna among others.

Besides its focus on Brazilian art, there is also a selection of works by foreigners, as Marc Chagall, Giorgio de Chirico, Raoul Dufy, Fernand Léger e Marina Helena Vieira da Silva.

The collection is a reflection of its time. In the first half of the twentieth century Brazil was recycling itself, becoming less rural and more industrial. New trends of the European artistic movements were gradually assimilated and transformed by the Brazilian context. In the 1930s, painters took Brazil as a topic and language.