Ione Saldanha
Ripas, 1991
Exhibition
This show caps off the House, Garden, Collection trilogy. And for Casa Roberto Marinho, dedicated to Brazilian modernism, it opens new paths in the permeable border between the modern and the contemporary.
Mar 13 to Sep 19
R. Cosme Velho, 1105
Rio de Janeiro, RJ
Exhibition
This show caps off the House, Garden, Collection trilogy. And for Casa Roberto Marinho, dedicated to Brazilian modernism, it opens new paths in the permeable border between the modern and the contemporary.
Mar 13 to Sep 19
R. Cosme Velho, 1105
Rio de Janeiro, RJ
Ione Saldanha
Ripas, 1991
For the show A Escolha do Artista na Coleção Roberto Marinho [The Artist’s Choice in the Roberto Marinho Collection] five leading visual artists were invited to select pieces from the Casa’s collection with the aim of producing an interaction with their own works. A fundamental intention of this project was for the “conversation” to take place in the terms established by the artist themselves.
Raul Mourão evinces a contrast between the idyllic Brazil of Portinari’s painting and the current time.
Cristina Canale selected portraits, for the most part, and produced a new work that proposes a pictorial dialogue, imagining the paths and choices of Di Cavalcanti in his 1963 oil painting "Ivete Rocha Bahia".
"Sinto sua falta" [I Miss You] is the title of the multiple artwork made especially for the show by Antonio Manuel. Together with a diptych and the series "Frutos do Espaço" [Fruits of Space] it interacts with works by José Pancetti: the painting about childhood, "Boneco" [Doll], 1939, a favorite of the collection’s owner, and a set of landscapes that have only survived in this form, on canvases.
Beth Jobim identified questions inherent to her own personal poetics in the vertical strip paintings by Ione Saldanha. And she reproduced a text by Lygia Pape about Ione, creating a new layer of possibilities in this encounter of three masters of Brazilian art.
Waltercio Caldas proposes that we shut out the exteriorities that can interfere in our perception. Art is confined within art itself. Before its naming by us or by its author: "O momento antes dos nomes" [The Moment before the Names].
Lauro Cavalcanti
Executive Director Casa Roberto Marinho
March 2021
Cristina Canale
Sereia, 2020
Mixed media/canvas, 110 x 90 cm | Coleção Gilda Amado
Waltercio Caldas
OUTRO SONHO, 2015
Polished stainless steel and onyx, 42 x 55 x 22 cm | coleção do artista
Antonio Manuel
Sem título, 2018
Dyptic, acrylic/canvas, 200 x 150 cm | coleção do artista
Raul Mourão
The New Brazilian Flag #9 (Vapor Praia), 2020
street poster, 100 x 150 cm | coleção do artista
Beth Jobim
Sem título, 2021
Linen on sewn linen, 160 x 80 x 5 cm | coleção da artista
Video
Casa Roberto Marinho
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Trusteeship: Lauro Cavalcanti
Casa Roberto Marinho
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Trusteeship: Alexandre Dacosta
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Trusteeship: Max Perlingeiro
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Casa Roberto Marinho
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Trusteeship: Lauro Cavalcanti
Casa Roberto Marinho
Rio de Janeiro - OCT 30 TO FEB 06 2022
Trusteeship: Lauro Cavalcanti e Isabela Ono
